Tag Archives: mixed media

“Cool Story Bro.” Gallery Exhibit for Artcite Inc.’s International Fringe Festival

Creation Of The: “Victim Blaming T-Shirts” from Stephen Surlin on Vimeo.

Poster for the 2011 IVFF

In the summer of 2011 I curated a store-front gallery exhibit  for Artcite Inc.’s International Fringe Festival titled “Cool Story Bro.” The transient gallery space was located at 410 Pelissier St. in Windsor, ON.

VISUAL FRINGE is an Open, unjuried and curated off-site exhibition; mixed media site installations, interventions and performances Exciting and cutting edge contemporary art by local and international artists coming to a downtown storefront near YOU!

Fringe Performance Festivals have been entertaining audiences for over 50 years, beginning with the original festival in Edinburgh, Scotland in 1947. Over the past 20 years, the Fringe movement in Canada has grown to 18 festivals, and Canada now enjoys more Fringe Fests than any other country in the world!

Artists from Windsor and surrounding areas, including the Detroit area, exhibited their artwork in non-traditional, storefront venues. - Artcite Inc.

“Cool Story Bro.” refers to the catch-phrase that is often seen on t-shirts that are marketed to young men between 18-25 years of age and are often associated with “Bro” culture. This is a very “college” influenced culture, even though many are not in college. This culture is often associated with violence and aggression, wether through video-games, sports/fighting, or aggressive language and mannerism.

My new works in this exhibit try to examine and put into context, the kind of consumption of all kinds that is epitomized through the “Girls and Guns” fetish, which mixes gun and military culture with bikini model aesthetics that work to please the male gaze. While the women  in these works take often aggressive poses and carry weapons, which in itself is empowerment, the context of the work neutralizes amy of these qualities.

Many of the works also deal with rape culture and sexual assault. The works titled “Victim Blaming T-Shirts” and the “Cool Story Bro.” Series featuring Anthony Weiner, Arnold schwarzenegger and Dominique Strauss-Kahn, all men who were involved in “sex scandals”, with some aspect of harassment and all with a vehement campaign of victim blaming.

The ”Victim Blaming T-Shirts” were also inspired by the recent cultural movement to end “slut shaming” and “victim blaming” especially through global “Slutwalks“. The shirt design was inspired by a trip to Toronto where there are many novelty item shops that sell various “saying” shirts and sweaters. Through this medium, sexism, racism and other prejudices are often reinforced through irony, though the praxis of the culture that consumes these items do not so easily appear ironic.

My hand drawn Facebook ads work to highlight the highly individualized marketing found on the internet and social media. When discussing the work, I emphasize the idea that this “Bro” culture that I focus on is in many ways constructed in order to make this group more uniform in its consumption patterns; extreme hetero-normative behaviour, hyper gender binary, a desire for “masculine” body sprays, gums, clothes, alcohol, video-games, and etc. all work to create a culture that is easier and much more efficient to market to. The fiscal advantage to “group-think” mentality, with many side effects that result in alienation and violence.

View of "Cool Story Bro." gallery exhibit featuring works by Stephen Surlin. 2011

"Victim Blaming T-Shirts", Commercially made white cotton t-shirts. 2011

"Cool Story Bro" Series, C-Print on paper. 2011

"Those Girls Can Shoot My Gun Anytime" & "What Good Is That In The Kitchen?", Acrylic paintings on canvas. 2011

"Untitled (If I tell you I have to kill you)", Video collage of sourced video and images. 2011

"Facebook Ads", Pen on paper, 2010

"Hamburger", Oil stick on unprimed canvas. 2011

"Crushed Can", Oil stick on canvas. 2011

Artist As Activist Projects: The Present And Future Of…

My “Artist As Activist” series of works has made me re-examine my art making and social engagement with several strata of society. My recent travels and experiences have formed a lot of what I consider to be of importance in my dialogue with the world around me.

Explaining to the village who we are and why we are there

I have focused on the people I encountered in my travels to Nigeria, Africa leading me to create the Rechargeable Solar Powered Bag project. These works involved several stages of research and developement. I had to consult several people, especially Bob from Windsor Powerhouse to help with the electrical engineering work. I had the bag for the project donated by Ten Thousand Villages Windsor (where I used to volunteer). I spoke with many friends, family and colleagues over several months, bouncing ideas off them to develop my ideas.

My article in the Windsor Star

I stumbled on some of my most important research, found in Stuart Walker’s Sustainable by Design: Explorations in Theory and Practicewhere I learned several of my guiding principles for design.

Inventiveness Of Necessity
Sustainability demands resourcefulness and restraint. New solutions have to be found which require less.

Improvisation And Spontaneity
The constraints of limited resources at the local level in terms of materials, processes and tools, combined with a realization that most contemporary products are actually a physical manifestation of unsustainable practices, can create a liberating environment in which to reconsider the nature of objects.

Integration Of Scales – Mass-Produced Plus Locally Made Parts
An important but little explored aspect of sustainable product design is a reassessment of our scales of production so that products can be made, repaired and reused within an industrial ecology of cyclic resource use at the local or regional level.

Elegance And Empathy Through Design
When developing products within the limitations imposed by locale, processes, techniques and human skills must be used imaginatively to convert often uninspiring or non-ideal materials into elegant forms that contribute in a positive way to our material culture.

"The Artist's Tools" from my Artist As Activist Exhibit

Then I began to prepare for my gallery show at the Lebel Gallery at the University of Windsor. The exhibit was titled “Artist As Activist”. The show went well and allowed me to get local press and interviews. This then led me to have a feature in VIEW magazine University of Windsor’s Alumni magazine.

For the future…

I will now be beginning another chapter in my “Artist As Activist” projects. I will be working quite closely with several Migrant worker, Farmer’s Union and community groups to the migrant worker population in Leamington, Ontario. First I will be focusing on bike safety, where I will talk about the needs of workers with the workers themselves and the community groups, then apply aspects of LED technology to add light to their bikes or walks.

From this I will make a short documentary and hopefully have a few design projects come out of my time working with these groups.

Check out this site to find out more information on my upcoming projects.

The Creation Of The Rechargeable Solar Powered LED Bag

Rechargable LED Solar Powered Bag from Stephen Surlin on Vimeo.

This video outlines most of the steps taken to create the second version of the Rechargeable Solar Powered LED Lamp in which I outline my influence that came from my trip to Nigeria with ACRT (AIDs Crisis Response Team) and the research I did upon return. I was especially influenced by the books Design Like You Give A Damn and Design For The Other 90%. The first book is made by architecture for humanity which describes the purpose of the projects/book:

“The greatest humanitarian challenge we face today is that of providing shelter. Currently one in seven people lives in a slum or refugee camp, and more than three billion people—nearly half the world’s population—do not have access to clean water or adequate sanitation. The physical design of our homes, neighborhoods, and communities shapes every aspect of our lives. Yet too often architects are desperately needed in the places where they can least be afforded.”

The authors of Design For The Other 90%, Cooper-Hewitt, describes the meaning of their publication as:

“The majority of the world’s designers focus all their efforts on developing products and services exclusively for the richest 10% of the world’s customers. Nothing less than a revolution in design is needed to reach the other 90%.”
—Dr. Paul Polak, International Development Enterprises

The reading of these two books really got me thinking about the global impact of design and the social inequalities that exist which are rarely being exposed in as complex and explicit terms as they are in these publications. Even though the idea of helping the internationally “less fortunate” is in the mainstream media, it is not presented in a way that allows the “average” citizen to take direct action, other than sending money.

I have also had an interest in Open Source technology and ideologies. This includes component electronics like cheap and easily accessible LEDs and batteries. This also brougth me to the Arduino as I described in the Rechargeable Solar Powered LED Lamp project.

“All of this research also led me to use the Lilypad Arduino, which uses waterproof circuitry and conductive thread in order to create simple/repairable/waterproof/wearable circuits, which also encourage young children and women to get involved in electronics, especially in the type of “traditional” societies I was working in in Nigeria.”

All of this research then lead me to one of the most influential works in my project Stuart Walker’s book Sustainable by Design which focuses on several guiding principles in order to achieve more sustainable design practices. A few of these principles are:

“Sustainable product design explores reuse of materials, re-manufacturing and product longevity. If we begin to create long-lasting, but repairable and upgradeable products made from reused materials and parts, we will have to reassess our ideas of products and the value and place of the ‘new’, the glossy and the perfect. A product which bears the marks of time and use and its own history could, potentially, have a richness lacking in many of today’s squeaky-clean but rather barren products; but to appreciate this richness we will have to readjust our value system and our expectations of product aesthetics.

Inventiveness Of Necessity
Sustainability demands resourcefulness and restraint. New solutions have to be found which require less.

Improvisation And Spontaneity
The constraints of limited resources at the local level in terms of materials, processes and tools, combined with a realization that most contemporary products are actually a physical manifestation of unsustainable practices, can create a liberating environment in which to reconsider the nature of objects.

Integration Of Scales – Mass-Produced Plus Locally Made Parts
An important but little explored aspect of sustainable product design is a reassessment of our scales of production so that products can be made, repaired and reused within an industrial ecology of cyclic resource use at the local or regional level.

Elegance And Empathy Through Design
When developing products within the limitations imposed by locale, processes, techniques and human skills must be used imaginatively to convert often uninspiring or non-ideal materials into elegant forms that contribute in a positive way to our material culture.”

I then began the work on the bag in order to improve on the design of the lamp in order to create the more versatile bag. The bag can be worn during the day to charge the battery and used during the night. Each element can also be removed and repaired if needed.

Design: Artist As Activist Exhibit Posters

These are the posters I used to spread the word about my gallery show entitled “Artist As Activist”. The description can be seen on the poster. The show was at the Lebel Gallery at the University of Windsor, Ontario, Canada.

Click on a poster to see the hi-res version. I personally took each of the photos used in the posters during my trip to Enugu State, Nigeria, Africa.

Read More »

Interview With Broken City Lab

Recently one of the senior research fellows at the local artist/activist group Broken City Lab named Josh Babcock interviewed me about my current gallery show “Artist As Activist” on at the Lebel Gallery on the University of Windsor Campus.

Broken City Lab is an artist-led interdisciplinary creative research group that tactically disrupts and engages the city, its communities, and its infrastructures to reimagine the potential for action in the collapsing post-industrial city of Windsor, Ontario.

The processes of Broken City Lab remain grounded in the lab’s observations and concerns about Windsor, as a city, as a community, and as a network of infrastructure, and aim to do two things: first, Broken City Lab works through interventionist tactics to adjust, critique, annotate, and re-imagine the city that we encounter; secondly, through these interventions, the lab seeks to educate, inspire, and facilitate a new way of viewing the potential for interacting with and in the city.

Broken City Lab’s creative activity is rooted in community-based social practice, where the lab attempts to generate a new dialogue surrounding public participation and community engagement in the creative process, with a focus on the city as both a research site and workspace.

You can READ THE ARTICLE HERE.

Stephen Surlin’s Windsor Star Interview

Stephen Surlin, a University of Windsor arts student displays his rechargeable solar powered LED lamp Wednesday January 19, 2011. The piece is part of an exhibit Surlin will present at the Lebel Gallery at the school.

Photograph by: Dan Janisse, The Windsor Star

University of Windsor artist’s gallery showing inspired by humanitarian trip to Nigeria

BY SONJA PUZIC, THE WINDSOR STAR JANUARY 20, 2011

An eye-opening trip to Nigeria with a humanitarian organization is the inspiration behind a local young artist’s latest exhibit.

Stephen Surlin, a 24-year-old University of Windsor visual arts student, will showcase his latest work at the university’s LeBel Gallery next week.

The exhibit, entitled Artist as Activist, opens Monday and will feature what Surlin calls activism design projects, including a solar powered rechargeable LED lamp. His work combines installations, audio, video, painting, photography and sculpture.

Surlin, who works with the local artist collective Broken City Lab and has been involved with Artcite’s Fringe Festival and the Fahrenheit Festival, said he was inspired by new design and technology ideas as they relate to impoverished nations like Nigeria.

“After my trip to Nigeria … I did a lot of research on the idea of architecture as activism,” Surlin said. Many of the people he met in the West African country were very interested in technology and electronics, although they had limited access to it. At the same time, they lacked basic necessities – proper medical care, HIV/AIDS treatment and eyeglasses.

Surlin travelled to Nigeria with the AIDS Crisis Response Team, a non-profit organization that provides direct medical services, medications and education to people in developing countries affected by the disease.

“I handed out a lot of glasses there. I had people telling me they wanted to be able to thread a needle, see better,” he said.”I was also a documentarian during the trip.”

Surlin said he hopes to raise awareness of social and humanitarian crises through contemporary art and engage people in discussions about social activism.

Lizzy Walker, director of the AIDS Crisis Response Team, will join Surlin for his exhibit’s closing reception Jan. 28 at 7 p.m. at the gallery, located in the visual arts building at Huron Church Road and College Avenue. She will talk about her work with the organization.

For more information, visit Surlin’s website, stephensurlin.com or check him out on Facebook.

spuzic@windsorstar.com

ARTIST AS ACTIVIST: Gallery Exhibit by Stephen Surlin

ARTIST AS ACTIVIST

Gallery Exhibit by Stephen Surlin 

January 24 – 28

Gallery Reception at 7:00 pm on January 28th.

The role of the artist in contemporary society has expanded to include an engagement with some of the social and humanitarian crisis’ of our time.

The concepts of contemporary Design are filling the imaginations of contemporary artists, because of the creativity and innovation found in the research and development of new technology and ideas.

The gallery exhibit “Artist as Activist” depicts the research and works of Stephen Surlin. Following his experience in Nigeria and his delving into these new design ideas and technologies.

During the reception there will be talks by Lizzy Walker and Stephen Surlin, starting at 7:30 pm inside the gallery.

LIZZY WALKER
Director of the ACRT (Aids Crisis Response Team).
Will be talking about her involvement with the
humanitarian non-profit organization.

STEPHEN SURLIN
Artist & Curator, Bachelor of Fine Arts Student at
the University of Windsor. Will be speaking about
his work and his involvement with the ACRT group.

Links:

Click here for the Facebook Group

ACRT (Aids Crisis Response Team) - http://www.aidscrisisresponseteam.org/

Stephen Surlin – stephensurlin.com

Micro Sushi

Maki Roll On Glass Slide

Micro Sushi

Mixed Media, 2010

Stephen Surlin

The Micro Sushi piece was a project made for the BioArt: Contemporary Art and the Life Sciences class in my Bachelor Of Fine Arts Program in the Visual Arts at the University Of Windsor. The assignment was to create a “tiny” sculpture, one that might be observed through a microscope or utilize some sort of aesthetic of the small scale processes of the life sciences.

My work focuses on the already precise and relatively small scale processes of sushi and sushi making aesthetics. I exaggerated these aspects by introducing the tools of the laboratory that we have at our disposal within the Lebel Building for the Arts, where the class takes place. There are several parallels between the precision tools of traditional sushi making and the tools of the life sciences. The hocho, or Japanese cutlery, is a major part of the process:

Much high-quality Japanese cutlery originates from Sakai, the capital of samurai sword manufacturing since the 14th century. After the Meiji Restoration, the carrying of swords by the samurai class was banned as part of an attempt to modernise Japan. Though demand for military swords remained and some swordsmiths still produced traditional samurai swords as art, the majority of swordsmiths refocused their skill to cutlery production.

In my project, the scalpel acted as the precision cutting tool, becoming the transition point between the two traditions of Sushi making and the laboratory research of the Life Sciences.

Read More »

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