Tag Archives: store front

“Cool Story Bro.” Gallery Exhibit for Artcite Inc.’s International Fringe Festival

Creation Of The: “Victim Blaming T-Shirts” from Stephen Surlin on Vimeo.

Poster for the 2011 IVFF

In the summer of 2011 I curated a store-front gallery exhibit  for Artcite Inc.’s International Fringe Festival titled “Cool Story Bro.” The transient gallery space was located at 410 Pelissier St. in Windsor, ON.

VISUAL FRINGE is an Open, unjuried and curated off-site exhibition; mixed media site installations, interventions and performances Exciting and cutting edge contemporary art by local and international artists coming to a downtown storefront near YOU!

Fringe Performance Festivals have been entertaining audiences for over 50 years, beginning with the original festival in Edinburgh, Scotland in 1947. Over the past 20 years, the Fringe movement in Canada has grown to 18 festivals, and Canada now enjoys more Fringe Fests than any other country in the world!

Artists from Windsor and surrounding areas, including the Detroit area, exhibited their artwork in non-traditional, storefront venues. - Artcite Inc.

“Cool Story Bro.” refers to the catch-phrase that is often seen on t-shirts that are marketed to young men between 18-25 years of age and are often associated with “Bro” culture. This is a very “college” influenced culture, even though many are not in college. This culture is often associated with violence and aggression, wether through video-games, sports/fighting, or aggressive language and mannerism.

My new works in this exhibit try to examine and put into context, the kind of consumption of all kinds that is epitomized through the “Girls and Guns” fetish, which mixes gun and military culture with bikini model aesthetics that work to please the male gaze. While the women  in these works take often aggressive poses and carry weapons, which in itself is empowerment, the context of the work neutralizes amy of these qualities.

Many of the works also deal with rape culture and sexual assault. The works titled “Victim Blaming T-Shirts” and the “Cool Story Bro.” Series featuring Anthony Weiner, Arnold schwarzenegger and Dominique Strauss-Kahn, all men who were involved in “sex scandals”, with some aspect of harassment and all with a vehement campaign of victim blaming.

The ”Victim Blaming T-Shirts” were also inspired by the recent cultural movement to end “slut shaming” and “victim blaming” especially through global “Slutwalks“. The shirt design was inspired by a trip to Toronto where there are many novelty item shops that sell various “saying” shirts and sweaters. Through this medium, sexism, racism and other prejudices are often reinforced through irony, though the praxis of the culture that consumes these items do not so easily appear ironic.

My hand drawn Facebook ads work to highlight the highly individualized marketing found on the internet and social media. When discussing the work, I emphasize the idea that this “Bro” culture that I focus on is in many ways constructed in order to make this group more uniform in its consumption patterns; extreme hetero-normative behaviour, hyper gender binary, a desire for “masculine” body sprays, gums, clothes, alcohol, video-games, and etc. all work to create a culture that is easier and much more efficient to market to. The fiscal advantage to “group-think” mentality, with many side effects that result in alienation and violence.

View of "Cool Story Bro." gallery exhibit featuring works by Stephen Surlin. 2011

"Victim Blaming T-Shirts", Commercially made white cotton t-shirts. 2011

"Cool Story Bro" Series, C-Print on paper. 2011

"Those Girls Can Shoot My Gun Anytime" & "What Good Is That In The Kitchen?", Acrylic paintings on canvas. 2011

"Untitled (If I tell you I have to kill you)", Video collage of sourced video and images. 2011

"Facebook Ads", Pen on paper, 2010

"Hamburger", Oil stick on unprimed canvas. 2011

"Crushed Can", Oil stick on canvas. 2011

Artcite’s MAYWORKS Labour Arts Festival 2010

For Artcite’s annual MAYWORKS Festival 2010 I used the 410 Pelissier storefront to curate a minimal show with my Save paintings and the installation of 3 tables that were found around the space.

The paintings work as a group that resembles the collected detritus of a recently emptied out storefront, a scene that is very common in the Windsor, Ontario region. The ambiguous text takes on several meanings regardless of the context they’re placed in. In this particular setting, they may appear as a forgotten request to save a few dollars or this entire building from being demolished or converted into more parking space.

The tables were inspired by the recent garbage strike that was also happening during the creation of the Street Dreams show for the Fringe Festival. The tables, that are similar to the ones in many municipal government meetings exist perpetually overturned. A symbol of indecision and inefficiency by local bureaucracy.

For the month of May, Windsor Ontario’s labour and arts communities will join with other cities across theCanada to present our firstlabour focused cultural MayWorks festival in Windsor in 2010.

Artists, workers, and students havemet over many months to organize a collection of exhibitions, projects, events,a rally, and parade, to celebrate our creativity as a community, our dedication to the values of workers’ solidariy, social justice and human rights.

Our various activities will highlight our support for our city core, our old Sandwich Towne community, our history of solidarity and labour arts.

-Artcite.ca

Fringe Festival 2009: Street Dreams

This was an exhibit that was curated by Stephen Surlin in the summer of 2009 through Artcite’s International Visual Fringe Festival. A strong and growing festival in Windsor, Ontario, Canada.

The exhibit/installation featured the works of: Daniel Bombardier, Michelle Soulliere, Jason Deary, Josh Babcock and Stephen Surlin.

Mediums included: spray paint, sculpture, painting, and performance among others.

For the second year, Artcite, Windsor’s artist-run center for the contemporary arts was proud to host the Visual Arts component of the 2009 Fringe Festival:

Artcite continued its partnership with Windsor’s International Fringe Festival and Actors Theatre of Windsor, to present “Visual Fringe” off-site exhibitions and programs in participating businesses and vacant storefronts /buildings in and around downtown Windsor. 52 artists from Windsor and surrounding areas, including Detroit MI, exhibited their art works in non-traditional venues.

In partnership with downtown merchants and venue sponsors, we installed a wide variety of contemporary works in a wide range of storefront, in-store and available-for-rent retail spaces. Admission was free.

Programs included a storefront exhibits, mini galleries, performances, interventions and a walking tour.

The Visual Fringe provides an excellent opportunity for Fringe Festival visitors and the general public to see new works by numerous emerging and established artists in an accessible, fun (non-gallery) setting.

- Articite.ca

Street Dreams from Stephen Surlin on Vimeo.

This is a piece that was done in collaboration with Eric K. Boucher, one of Windsor’s best cinematographers. The film is based on the exhibition I curated for the Windsor International Fringe Festival in the summer of 2009. I was given an empty commercial space and was given the opportunity to fill it with art.

The exhibit was entitled “Street Dreams”, the title was inspired by the artists I had in mind for the show: Jason Deary, Daniel “Denial” Bombardier, Michelle “Citynoise” Soulliere, Josh Babcock and Myself. All of these artists employ aesthetics that are reminiscent of the ideological or imaginary “streets” of Windsor. The concept of dreams comes from the play on words of the popular saying “sweet dreams” and the connection to the imagined, the removed and actual images of what the “streets” mean and look like to each individual artist. It was an amazing experience.

Window Microphone

Window Microphone

Window Microphone

Piezo disc, breadboard, wire and recording equipment

Stephen Surlin 2010

This project was part of Broken City Lab‘s “Storefront Residencies for Social Innovation” which took place between June 11 and July 11, 2010. I entered the project with an impromptu idea to use some of the minimalist audio recording technology I had been working with, especially the piezoelectric disc.

“For 30 days, this project will call on over 25 different artists, writers, designers, restauranteurs, musicians, architects, archivists, and other interested parties to occupy a space in downtown Windsor for up to one month in June and July 2010 to attempt to intervene with the everyday realities of skyrocketing vacancy rates, failing economic strategies, and a place in need of new imagination.”

-Broken City Lab

My process called upon the ethos of the Broken City Lab by literally and metaphorically “listening” to the city through a piezoelectric disc attached to the window, which turns the entire window into a large microphone. The vibrations that the large diaphragmatic window catches is turned into an electrical frequency that can be amplified and heard/recorded.

The amplified sound could be listened to by any of the visitors of the storefront during open hours. This invites the audience to engage with the city in a different way. The audio characteristics of this microphone mainly picks up the low rumbly frequencies of distant busses and the piercing tone of birds and footsteps, sometimes the faint murmur of talking could be heard when small groups would collect outside of the storefront windows.

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