Tag Archives: sustainable

Artist As Activist Projects: The Present And Future Of…

My “Artist As Activist” series of works has made me re-examine my art making and social engagement with several strata of society. My recent travels and experiences have formed a lot of what I consider to be of importance in my dialogue with the world around me.

Explaining to the village who we are and why we are there

I have focused on the people I encountered in my travels to Nigeria, Africa leading me to create the Rechargeable Solar Powered Bag project. These works involved several stages of research and developement. I had to consult several people, especially Bob from Windsor Powerhouse to help with the electrical engineering work. I had the bag for the project donated by Ten Thousand Villages Windsor (where I used to volunteer). I spoke with many friends, family and colleagues over several months, bouncing ideas off them to develop my ideas.

My article in the Windsor Star

I stumbled on some of my most important research, found in Stuart Walker’s Sustainable by Design: Explorations in Theory and Practicewhere I learned several of my guiding principles for design.

Inventiveness Of Necessity
Sustainability demands resourcefulness and restraint. New solutions have to be found which require less.

Improvisation And Spontaneity
The constraints of limited resources at the local level in terms of materials, processes and tools, combined with a realization that most contemporary products are actually a physical manifestation of unsustainable practices, can create a liberating environment in which to reconsider the nature of objects.

Integration Of Scales – Mass-Produced Plus Locally Made Parts
An important but little explored aspect of sustainable product design is a reassessment of our scales of production so that products can be made, repaired and reused within an industrial ecology of cyclic resource use at the local or regional level.

Elegance And Empathy Through Design
When developing products within the limitations imposed by locale, processes, techniques and human skills must be used imaginatively to convert often uninspiring or non-ideal materials into elegant forms that contribute in a positive way to our material culture.

"The Artist's Tools" from my Artist As Activist Exhibit

Then I began to prepare for my gallery show at the Lebel Gallery at the University of Windsor. The exhibit was titled “Artist As Activist”. The show went well and allowed me to get local press and interviews. This then led me to have a feature in VIEW magazine University of Windsor’s Alumni magazine.

For the future…

I will now be beginning another chapter in my “Artist As Activist” projects. I will be working quite closely with several Migrant worker, Farmer’s Union and community groups to the migrant worker population in Leamington, Ontario. First I will be focusing on bike safety, where I will talk about the needs of workers with the workers themselves and the community groups, then apply aspects of LED technology to add light to their bikes or walks.

From this I will make a short documentary and hopefully have a few design projects come out of my time working with these groups.

Check out this site to find out more information on my upcoming projects.

VIEW Magazine Student Feature: Artist As Activist

The above image is the interface for viewing the digital version of the publication. Which you can go to by clicking on the image.

     Stephen Surlin is searching for the right words. It’s not that he’s at a loss for them – he simply has so much to say, to do, and to achieve. It’s as though the bright and curious third-year student is breathing in potential and exhaling ideas.

Majoring in Visual Arts, Surlin is laying a broad foundation for his future, minoring in women’s studies and computer science. His ultimate goal is to take his passion for art, social justice and technology and fire these elements into a finished piece that inspires thought, social equality, and even sustainable products that benefit disempowered communities.

- Jennifer Barone

I was recently contacted by VIEW Magazine‘s editor, Jennifer Barone, to do an interview for VIEW’s first ever Student Profile section of their publication based out of the University of Windsor. The magazine’s website describes VIEW as the:

University of Windsor alumni magazine, connecting more than 60,000 alum with each other and their alma mater.

The alumni-campus relationship is central to the life of a university. UWindsor prepares its students to make their mark on the world; in return, graduates give back in multiple ways — as mentors, donors, and champions of the school. View builds on that relationship by sharing stories about the University that instill pride in its graduates.

The magazine has also brought recognition to the University, winning awards for its design and photography from the Canadian Council for the Advancement of Education.

I was very excited and proud to do the interview and feature. Barone had said her attention was first caught by my interview in The Windsor Star by Sonja Puzic titled University of Windsor artist’s gallery showing inspired by humanitarian trip to Nigeria. In the article, Puzic asked me several questions about my recent trip to Nigeria and how that experience led me to create several sustainable design and social justice focused projects using LED lights, rechargeable batteries and solar panels. VIEW magazine also used the photo that Dan Janisse took of me for that article.

Click here to download a condensed PDF version of the VIEW article featuring my works.

The Creation Of The Rechargeable Solar Powered LED Bag

Rechargable LED Solar Powered Bag from Stephen Surlin on Vimeo.

This video outlines most of the steps taken to create the second version of the Rechargeable Solar Powered LED Lamp in which I outline my influence that came from my trip to Nigeria with ACRT (AIDs Crisis Response Team) and the research I did upon return. I was especially influenced by the books Design Like You Give A Damn and Design For The Other 90%. The first book is made by architecture for humanity which describes the purpose of the projects/book:

“The greatest humanitarian challenge we face today is that of providing shelter. Currently one in seven people lives in a slum or refugee camp, and more than three billion people—nearly half the world’s population—do not have access to clean water or adequate sanitation. The physical design of our homes, neighborhoods, and communities shapes every aspect of our lives. Yet too often architects are desperately needed in the places where they can least be afforded.”

The authors of Design For The Other 90%, Cooper-Hewitt, describes the meaning of their publication as:

“The majority of the world’s designers focus all their efforts on developing products and services exclusively for the richest 10% of the world’s customers. Nothing less than a revolution in design is needed to reach the other 90%.”
—Dr. Paul Polak, International Development Enterprises

The reading of these two books really got me thinking about the global impact of design and the social inequalities that exist which are rarely being exposed in as complex and explicit terms as they are in these publications. Even though the idea of helping the internationally “less fortunate” is in the mainstream media, it is not presented in a way that allows the “average” citizen to take direct action, other than sending money.

I have also had an interest in Open Source technology and ideologies. This includes component electronics like cheap and easily accessible LEDs and batteries. This also brougth me to the Arduino as I described in the Rechargeable Solar Powered LED Lamp project.

“All of this research also led me to use the Lilypad Arduino, which uses waterproof circuitry and conductive thread in order to create simple/repairable/waterproof/wearable circuits, which also encourage young children and women to get involved in electronics, especially in the type of “traditional” societies I was working in in Nigeria.”

All of this research then lead me to one of the most influential works in my project Stuart Walker’s book Sustainable by Design which focuses on several guiding principles in order to achieve more sustainable design practices. A few of these principles are:

“Sustainable product design explores reuse of materials, re-manufacturing and product longevity. If we begin to create long-lasting, but repairable and upgradeable products made from reused materials and parts, we will have to reassess our ideas of products and the value and place of the ‘new’, the glossy and the perfect. A product which bears the marks of time and use and its own history could, potentially, have a richness lacking in many of today’s squeaky-clean but rather barren products; but to appreciate this richness we will have to readjust our value system and our expectations of product aesthetics.

Inventiveness Of Necessity
Sustainability demands resourcefulness and restraint. New solutions have to be found which require less.

Improvisation And Spontaneity
The constraints of limited resources at the local level in terms of materials, processes and tools, combined with a realization that most contemporary products are actually a physical manifestation of unsustainable practices, can create a liberating environment in which to reconsider the nature of objects.

Integration Of Scales – Mass-Produced Plus Locally Made Parts
An important but little explored aspect of sustainable product design is a reassessment of our scales of production so that products can be made, repaired and reused within an industrial ecology of cyclic resource use at the local or regional level.

Elegance And Empathy Through Design
When developing products within the limitations imposed by locale, processes, techniques and human skills must be used imaginatively to convert often uninspiring or non-ideal materials into elegant forms that contribute in a positive way to our material culture.”

I then began the work on the bag in order to improve on the design of the lamp in order to create the more versatile bag. The bag can be worn during the day to charge the battery and used during the night. Each element can also be removed and repaired if needed.

Artist As Activist Exhibit By Stephen Surlin @ The Lebel Gallery


Artist As Activist
Gallery Exhibit By Stephen Surlin
January 24 – 28 @ Lebel Gallery

The exhibit entitled Artist As Activist is a solo exhibition featuring the recent works of Stephen Surlin, who also curated the show. Because of Surlin’s recent travels to Nigeria, Africa, he was inspired to use his interest in social justice issues, his knowledge of electronics and design and the creative and critical practices learned from his Bachelor of Fine Arts and Women’s Studies degrees from the University of Windsor to produce “products” and ideas for improving the lives of the people he worked with in Nigeria.

Surlin’s focus is mainly on the easily accessible and salvageable products that can be purchased at electronics wholesalers or online, like, LED (lights), rechargeable batteries, and consumer grade solar panels. Along with sewable “e-textiles” like the Lily Pad Arduino.

The other elements of the gallery will hopefully give the viewer an idea of the impact that ideas of “sustainable design”, contemporary technology and critical engagement can have on communities all around the world, including our own.

Below are several excerpts from a book by Stuart Walker , one of the biggest influences on Surlin during the design process.

Sustainable by Design: Explorations in Theory and Practice
By Stuart Walker

Sustainable product design explores reuse of materials, re-manufacturing and product longevity. If we begin to create long-lasting, but repairable and upgradeable products made from reused materials and parts, we will have to reassess our ideas of products and the value and place of the ‘new’, the glossy and the perfect. A product which bears the marks of time and use and its own history could, potentially, have a richness lacking in many of today’s squeaky-clean but rather barren products; but to appreciate this richness we will have to readjust our value system and our expectations of product aesthetics.

Inventiveness Of Necessity
Sustainability demands resourcefulness and restraint. New solutions have to be found which require less.

Improvisation And Spontaneity
The constraints of limited resources at the local level in terms of materials, processes and tools, combined with a realization that most contemporary products are actually a physical manifestation of unsustainable practices, can create a liberating environment in which to reconsider the nature of objects.

Integration Of Scales – Mass-Produced Plus Locally Made Parts
An important but little explored aspect of sustainable product design is a reassessment of our scales of production so that products can be made, repaired and reused within an industrial ecology of cyclic resource use at the local or regional level.

Elegance And Empathy Through Design
When developing products within the limitations imposed by locale, processes, techniques and human skills must be used imaginatively to convert often uninspiring or non-ideal materials into elegant forms that contribute in a positive way to our material culture.

Installation view at Lebel Gallery

Detail of hand painted titles

Rechargeable Solar Powered LED Lamp

Solar panel detail

LED and LilyPad Arduino PCB board detail

Rechargeable Solar Powered LED Bag

Solar panel on bags flap and wall paintings

View inside the bag, showing the rechargeable lithium-ion battery and lipo charger.

LEDs and LilyPad Arduino LED PCB boards wired with conductive thread detail

Read More »

The Creation of The Rechargable Solar Powered LED Lamp

Stephen Surlin helping a local find a pair of glasses.

Stephen Surlin helping a local find a pair of glasses at another location.

Trying On Glasses from Stephen Surlin on Vimeo.

Tripod footage of me helping people find the glasses the need for reading and other activities when I went to Enugu State, Nigeria with ACRT (AIDS Crisis Response Team) to participate in various humanitarian activities. This mainly included health based support, like a travelling clinic.

The process of helping over 100 people find glasses, by talking to them and letting them try several pairs, was one of the main inspirations behind my work in creating sustainable design projects that bring light to people who need it.

When I returned home I began work in my Bachelor of Fine Arts – Visual Arts program to create rechargeable solar powered LED light sources.

I found that I needed quite a bit of help in figuring out what kind of components I needed to use. I had found most of the parts, and what’s needed to get them working, on my own. This included, LEDs, solar panels, lithium-ion batteries and several other components. I was especially inspired by the writings of Stuart Walker, from his book Sustainable by Design. All of this research also led me to use the Lilypad Arduino, which uses waterproof circuitry and conductive thread in order to create simple/repairable/waterproof/wearable circuits, which also encourage young children and women to get involved in electronics, especially in the type of “traditional” societies I was working in in Nigeria. Read More »

Pocket Park / Sound Wall

The pocket Park / Sound Wall project was done by myself and Kevin Kaputsiak. Together, along with Tug Collective: Gaelyn Aguilar, Gustavo Aguilar, we attempted to create a sustainable and low-impact designed structure in order to create a small space where students and passer-bys can have a bit of solitude and nature in an area where that experience is not readily available.

Mission Statement

To research and implement the building of a “Pocket Park” utilizing sound reducing walls, tubes, and other low-impact and sustainable building techniques. This park is a project that is intended to spark interest and questions around urban green space, the attempt to bring silence into noisy urban settings and the effects of noise found in urban areas, especially ones near busy roadways, on our health.

Goals

Analyze and assess the level of noise pollution generated by Huron Church.

Discover ways of lessening this pollution through the use of found materials to construct sustainable low-impact structures.

Give suggestions for further revisions to help continue the project and implement these designs.

“Green Corridor” Students at the University of Windsor: Stephen Surlin, Kevin Kaputsiak

Tug Collective: Gaelyn Aguilar, Gustavo Aguilar

Waddle & Daub from Stephen Surlin on Vimeo.

This is time-lapse documentation of the waddle and daub process which is described below. The project was for the course Green Corridor (greencorrior.ca) at the University of Windsor in Ontario. The waddle & daub is needed to create “sound walls” that can muffle the sound of the NAFTA super highway, Huron Church Road, that is right behind my school and is also the busiest border crossing in Canada with millions of trucks traversing the border each year.

The construction of the sound wall needed to address the amount of sound that can be absorbed or reflected by each building method. The density of the material is important, especially to reduce the amount of low-frequency noise.

Based on the research inspired by Tug Collective we were able to focus on low-impact and sustainable design. The publications, Design Like You Give A Damn and Design For The Other 90%. These publications focus on the use of local materials and building techniques. These ideologies mixed with the use of the pallets will hopefully begin a dialogue with the public and concepts that correspond with global trade, shelter, the use of materials and the correlation between design and the state of citizens around the world, all concepts that are becoming more and more important as “Free Trade” and globalization continue to bring distant places into an interlocking network.

After we moved through several stages of research we came to a method referred to as wattle and daub, a medieval building method used to build houses in regions across Europe. Wattle refers to the weaving of branch like materials between posts, this structure is then covered in daub, which is a mixture of clay, sand, straw and water. This mixture is then mixed with shovels and by walking all over it, as it was done back in the 1500s, then straw is added to the mixture in order to make it strong and sticky enough to put it on the waddle.

The space by the Lebel School Of Arts where the park/wall can be.
The materials we salvaged in order to make the pallet based walls.

We attempted to create the wall in several styles.

Luckily we were able to source large amounts of material and have it delivered by the generous people over at PCR Contractors, who were working near by on the new engineering building.

Clay, straw, sand, dirt, grass and twigs to make the daub.
A pallet with the waddling on it, ready to be daubbed.

After leaving the work site for a day, when I returned, a rabbit was resting in the pallet structure. Seems like a good sign for what we are trying to create, green and sustainable structures.
Another pallet after being daubbed.

The finished Sound Wall/Pocket Park

Doing some recordings for the sound analysis.
The analysis of the fireld recordings, done in Logic.

Analysis 1 – Various recordings of the surrounding areas.

Analysis 2 – Recording in front and behind wall to determine change.

Click on the picture to the left to view and/or download the PDF version of the “Sound Wall – Pocket Park Legacy Report“. A document we are required to complete at the end of our course in Green Corridor.

Artist As Activist Illustrations

LiPo Charger

Rechargeable Lithium Ion Battery

LEDs

Solar Panel

Artist As Activist Illustrations

.PNG Illustrations made in Adobe Illustrator CS4 2011

By Stephen Surlin

This is a series of work that were based on the items used in my recent “Artist as Activist” exhibition at the University of Windsor’s Lebel Gallery. This is an exercise in the breaking down of form and a look at the minimalist aesthetics of sustainable design. I used rechargeable batteries, small solar panels and LEDs in order to create items that can be used to help people who do not have adequate access to energy or light sources that are sustainable and repairable.

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